A stark statement about the futility of war, and unlike the common rhetoric and rituals employed in remembrance and referral to war, this installation offers us a deeper, more gentle view on the subject by focusing on the human dimension.
These 2 paintings reference the main character of the movie Avatar, Jake Sully, and his transformation from being a human to becoming a Navi. He not only leaves his place of origin behind, but also moves into a different body and reality. As soon as we broaden our scale and move our question to an interplanetary level, the whole concept of nationality becomes completely irrelevant. …
When we meet a stranger, or generally somebody who seems different due to how they speak, look, dress, and behave, etc., the usual question we ask them is “Where are you from?” assuming they are not from here. We tend to organise this ‘somewhere else’ by means of national countries. …
The imperative of youthfulness is an omnipresent phenomenon in our western media landscape, which often has far-reaching effects into our everyday personal lives. This imperative…
A series of drawings done in the 1980 sparked by the US invasion of Kuwait, which marked the beginning of a new global policy of…